Jazz Blues with Charlie Parker’s Billie’s Bounce

My Walking bass lines particularly over the jazz blues progression all seemed the same, so I decided I needed to do something about it. I’ve studied some Charlie Parker sax lines which mostly full over jazz blues, at least the lines I’ve currently looked at have. The next thing would be to listen to the bass line on these recordings and listen to lines I could use in my own playing. I find it easier to write them out, that way I will always have a record of them to look at. Of course, these old recordings don’t have the best sound sound separation as more modern recordings. Picking out the bass was really hard in places. For this reason, I only transcribed the first 4 progressions (48 bars). Curley Russell is the bass player.

One thing to note in the transcriptions is that I have written the standard Jazz Blues chords over the top, the Charlie Parker Omnibook, doesn’t have this track as a standard  jazz blues, iRealPro, which I used in the YouTube clip, uses the standard Jazz blues progression. You can hear a few clashes. Particularly bar 26, where Curley Russell plays A, the usual sequence would be Bb. Also we don’t hear the diminished chord in the sixth bar as usual.

Billie’s_Bounce – Click for music pdf

Locked Out Of Heaven – Bass cover with transcription

My most recent YouTube upload and bass transcription is Bruno Mars’ ‘Locked Out Of Heaven’. This was played by Nick Movshan who isn’t the regular bass player with Mars.

Like my previous post of ‘Sign Sealed Delivered’, this is again popular for function bands. I decided it would be an interesting one to transcribe. Not too difficult. In the breakdown section towards the end, I wasn’t entirely sure what was the electric bass, and what was covered by the synths. I’m quite sure that bars 58-61 didn’t have the octave jump on the bass part as earlier in the part, instead, it sounded just like the synth bass playing the octave. Also the breakdown section I added a bass part closest to the recording, I would play if on a gig.

Locked_Out_Of_Heaven click for music

Bob Babbitt’s Sign Sealed Delivered bassline transcription | Stevie Wonder

I thought I would try to transcribe and notate a Motown bass line. I choose Bob Babbitt’s line on Stevie Wonder’s ‘Sign Sealed Delivered’. A popular tune for function bands, so I’m quite sure many bass players already know this. However, there are a few nice little phrases in this, check out bars 19-20 and 47-48 both over and F chord. Babbitt has a few nice little rhythmic changes during the fade out.

The run at the start (which repeats through out the song) gave me a few issues. Was it an A or Ab? In a clip of Bob Babbitt playing this, he plays an Ab, listen carefully and you can hear the note is an A sliding in from the Ab. The music show a slide, so bare in mind its a slide from a semi-tone below.

Sign_Sealed_Delivered <– click song title for pdf